A Leopard-Skin Hat | by Anne Serre
A Leopard-Skin Hat | by Anne Serre
Translated from French by Mark Hutchinson
Read an excerpt in TANK Magazine
Read an interview with Anne Serre in The Paris Review
A Leopard-Skin Hat may be Anne Serre’s most moving novel yet. Hailed in Le Point as a ‘masterpiece of simplicity, emotion and elegance,’ it is the story of an intense friendship between the Narrator and his close childhood friend, Fanny, who suffers from profound psychological disorders
A series of short scenes paints the portrait of a strong-willed and tormented young woman battling many demons, and of the narrator’s loving and anguished attachment to her. Serre poignantly depicts the bewildering back and forth between hope and despair involved in such a relationship, while playfully calling into question the very form of the novel. Written in the aftermath of the death of the author’s little sister, A Leopard-Skin Hat is both the celebration of a tragically foreshortened life and a valedictory farewell, written in Anne Serre’s signature style.
Publication 20 June 2024
Description 185 × 125 mm, 112 pages, Softcover Original
ISBN 978-1-915267-24-5
Design Studio Ard
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ANNE SERRE (b. 1960) is the author of seventeen works of fiction. Her first novel, Les Gouvernantes (The Governesses) was published in 1992 and praised by La Croix for its ‘remarkable economy of style’. Among her distinctions are a 2008 Cino del Duca Foundation award and the 2020 Prix Goncourt de la Nouvelle for her short-story collection Au coeur d’un été tout en or. A Leopard-Skin Hat is the fourth of her books to appear in English.
MARK HUTCHINSON was born in London in 1957 and lives in Paris. Among his many translations from the French are René Char’s Hypnos: Notes from the French Resistance and The Inventors and Other Poems, and Emmanuel Hocquard's The Library at Trieste and The Gardens of Sallust.
Praise for A Leopard-Skin Hat
Serre always packs a great deal into her slim books... Her beguiling books usually feel more like Mozart, but A Leopard-Skin Hat suggests Bach’s funeral cantatas: long after you’ve finished the book, it goes on pulling at your heart
– TANK Magazine
I love Anne Serre, translated by Mark Hutchinson, for the rippling unreality of her prose. Reading her is like watching a mirage flicker in and out of focus
– Merve Emre
Readers will be moved by this probing story about the unknowability of others
– Publishers Weekly
The story of Fanny and the Narrator is a story about our impulse to understand one another and about the way in which unknowability is what makes someone interesting; it is about, in fact, the relationship between unknowability and the desire to know, neither existing without the other, as a narrator does not exist without a story nor a story without a narrator… Exuberantly anti-realist and avowedly fictional
– The Brooklyn Rail
In her ability to dip down, over and over, into her secret life, and emerge with a small, sparkling patch of that whole cloth, Serre strikes me as extraordinarily lucky… Serre’s primary subject, as always, is narration, and it’s thanks to this obsession that A Leopard-Skin Hat sidesteps memoir, not only by replacing siblings with friends and adopting a male Narrator but by plunging into the volatile spacetime of writing
– The Baffler
Praise for The Governesses
Brutal and effervescent, The Governesses is a systems novel, in the guise of a postmodern fairy tale, a twisted take on the battle of the sexes, a Dionysian mystery in sheep’s clothing. This haunting and compulsive read, imbued with an uncanny intensity, in an unforgettable introduction to Anne Serre’s work
– Alexandra Kleeman
Prim and racy, seriously weird and seriously excellent... The Governesses is not a treatise but an aria, and one delivered with perfect pitch
– New York Times Book Review
A cruel and exhilarating book
– Marie Claire
A feminist fantasy, where women satisfy their sexual needs free from society’s opprobrium
– The Arts Fuse
Each sentence evokes a dream logic both languid and circuitous as the governesses move through a fever of domesticity and sexual abandon. A sensualist, surrealist romp
– Kirkus Reviews
Serre’s wistful ode to pleasure is as enchanting as its three nymph-like protagonists
– Publishers Weekly
A delightful sabbath
– Le Monde